How Mates Can Undermine Romantic Tension {Writing Analysis & Discussion}


The word “mate” in relatively new in YA fiction, but the soulmate trope certainly isn’t.

While not my favorite trope to write, I don’t actually mind reading about it. I think we all like the idea of knowing there is someone out there who’s your perfect other half.

However, having read a lot of these books I’ve noticed couple of themes and writing flaws that often go hand-in-hand with this trend. I’d like to discuss the two main hangups, and how it plays into the romantic tension and character growth.

Important disclaimer: Though I’m about to get critical, there’s nothing wrong with using this trope! It’s a lot of fun to play around with. This post is simply highlighting some flaws and inconsistencies that I’ve noticed that bring the writing down. Consider this a post to help you think, not to discourage you from using it.

Sections of this post:
+ Why Do We Write Soulmates?
+ Expectations Before Emotional Investment
+ Redemption Through the Relationship
+ Independent Character Arcs

Spoilers: A Court of Mist and Fury by Sarah J. Maas

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How to Write Engaging Romances

I want to start this post with a quick comment on romantic tension.

When I look up posts about writing romantic tension, I see a lot of talk about tropes and technical definitions, but not much about where tension actually comes from or how to write it.

It’s fine to use tropes like miscommunication, having an outside force stop them from getting together, and personal conflict as a barrier. But none of these things actually create that tension that engages your audience. These are symptoms, not the source.

No matter what tropes you use, the fundamentals of an engaging relationship stay the same. And that’s what this post is about. This is what goes into creating that tension that can be used in various different tropes and stories, and what will hook your reader from start to finish.

Let’s talk about cardboard, spark, and chemistry.

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Everything You Need to Know About Developmental Editors

I’m so very excited to write this post.

I’m a developmental editor myself, and I absolutely love it! I actually did developmental work for friends for a long time without realizing it, and I’m lucky enough to be able to start freelancing this year (my services page will be up February 5th!).

That aside, I’ve noticed that a lot of writers don’t know exactly what developmental editors do, if they’re necessary, or what they really offer. I believe that every writer could benefit from a structural editor, and that’s why I decided to make this post. It’s information for everyone – whether you’re self-published or going the traditional route.

(I’ve also noticed some confusion between line editors and copyeditors, which is also discussed briefly in this post).

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How to Format Your Manuscript

Properly formatting your manuscript is crucial.

Whether you’re entering a mentorship event, submitting to an agent, or sending your story to an editor, formatting decides everything. It shows the reader that you have a level of professionalism and are serious about your writing.

Please note that while this is industry standard, always check the submission section of their website. They might have specific guidelines they want you to follow. This post is what most places will require, and is probably what’s best when you send your manuscript to sensitivity or beta reader.


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